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Raymond Andrews 'Mysterious&Beautiful World'
incised oil paintings on board available for purchase

e-mail: utreya@webafrica.org.za ................telephone:023-614 3045
Click on any picture to view an enlargement


 

New commission

'Persephone'
120 X 120 cm 0
Sold




'En la Cueva de las Manos -
In the Cave of the Hands '

122 x 122 cm - R180,000
On view at Gallery@Grande Provence
Tel: 021 875 8630
Price excluding VAT

'Spirit of Africa'

122 x 122 cm - R180,000
On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek Tel
Price excluding VAT





'El viaje final de las almas liberadas -
The final voyage of the liberated souls '

122 x 122 cm - R180,000
On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek
Price excluding VAT


'
'Memories of  the Beginning of Time

91 x 91 cm - R120,000
On view at Knysna Fine Art Gallery
Tel.:044 382 5107
Price excluding VAT



'When Time Began'

91 x 68 cm - R120,000
On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek
Price excluding VAT

'Between Heaven and Earth'

91 x 91 cm - R120,000
On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek
Price excluding VAT

'Los Guardianes de las Piedras 2 -
The Guardians of the Stones 2'
60 X 60 cm - R75,000

On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek
Price excluding VAT

 

'Los Guardianes de las Piedras -
The Guardians of the Stones '

91 x 91 cm - R120,000
On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek Tel
Price excluding VAT

'Equus 1'
60 X 60 cm - R75,000

On view at Gallery@Grande Provence
Tel: 021 875 8630
Franschhoek Tel
Price excluding VAT


'People are living there (1988)'

97 x 124 cm - R130,000
At the Artist's Studio



'The Crystal Desert'

81 x 122 cm
Not for Sale
At the Artist's Studio
www.ice-tracks.com

 

 

 



The Artist...

I was born in East London in 1948. I studied at the East London Technical College Art School under Jack Lugg and later at the Johannesburg Art School. In 1966 I met Cecil Skotnes and studied painting under his tutelage at Damelin College. In 1967 Skotnes introduced me to Ernest Ullman and for two years I worked as assistant to this famous sculptor and designer.

In 1967 I held my first one man exhibition at the SA Association of Arts Gallery in Pretoria and when, following this exhibition, I was invited by Prof. Walter Battiss to join his staff at the UNISA Art Department in 1988 as assistant and external tutor in graphic arts, I moved to Pretoria which was to be my home base for the next 27 years.

I have always favoured the woodcut as a medium of expression, but have produced metal engravings, glass paintings, many serigraphs and today I work almost exclusively on engraved or incised and painted wood panels. I am particularly interested in man and myth, stylized fauna and flora, iconic and African imagery combined in a decorative and rhythmic style.

Since 1967, I have participated in numerous exhibitions in South Africa and Internationally. In 1973 I illustrated "Xironga Folk Tales", a UNISA publication. Numerous articles on my work have been published in South African magazines and abroad and my wood panels and larger murals hang in public and private collections throughout Southern Africa, Europe, and America. A complete list of exhibitions in which my work has featured is available on request.
In 1995, I left Pretoria and moved my studio to the small Karoo town of Montagu.

Andrews has been a wanderer by nature. He has traveled widely in Southern Africa and in the East. He initiated a project to start a series of craft centres in Malawi and worked as a photographic Safari guide in the Okavango Swamps in Botswana. In 1973 he visited the Indian Ocean Islands and in 1974 Japan, Taiwan, Indochina, Iran and Turkey. In 1974 he also made his first visit to India which was to become a favourite haunt for many years to come.

From 1976 to 1978 Andrews worked for the South African Airways as a flight steward and was thus able to visit many western countries including the Americas. A fascination with hiking in the high mountainous regions of the Himalayas, shared by Ray’s partner Ute Peters, led to many private expeditions to India and Nepal. Subsequent travels have taken them to Sri Lanka, China, Thailand, Vietnam and on camping trips through Israel and Egypt.

In 2005, Ray and Ute made their first visit to Argentina and Uruguay and during four extended trips over the next eight years, they explored in depth, the jungles, high Altiplano regions of the Andes, and the vast plains of Patagonia and Tierra del Fuego and southern and central Chile. The resultant exposure to diverse and different western cultures has led to less emphasis in Raymond’s work on carving or engraving and a leaning towards pure painting. Their recent travels have taken Ray and Ute to the vast ice-scapes of Antarctica.



Please note that whilst I make every effort to portray colours as accurately as possible, computer monitors, colour calibration systems and photographic techniques tend to differ, and do not interpret or display all colours in the same way.


Wir können Ihre E-mail Anfragenauch in DEUTSCH beantworten


This is a step by step record of the development of a Raymond Andrews wood panel titled
"Memories in Stone"

The design is first visualized. Sometimes I work directly onto the wood but usually my ideas ar first more or less ceveloped on paper.

1.
The design is projected by epidiascope onto the sanded and grounded wood paneI and drafted in pencil.

2.
Standing on the easel is the finished pencil draft which at this stage is sealed with sanding sealer or shellac varnish.

3 and 4.
Here I am carving the design and background into the wood surface with small hand gouges and whatever else my imagination leads me to use to make the surface of the wood expressive and interesting. This stage provides a relief which makes these works different from conventional painting. The surface is now broken up into positive and negative areas, so to speak.

 

5.
The neaxt step is to rub or brush some form of colour into the carved background and lines. This may be a variety of raw oxides with an oil or resin binder, or printers ink.

6.
The wood surface has been wiped clean of some of the background colour and must now dry thoroughly.

7.
Now I mask with masking tape, some of the areas where I wish the carved lines to remainl dark while I apply a further colour to the background, in this case a light bluish grey.

8.
I am brushing the above colur into the carved areas.


9.
While the paint is still wet, I wipe some of the surface with paper or cloth, in order to reveal the texture of the carving. Here I am able to achieve a feeling which begins to make the carved, painted wood panel something quite different from any other form of painting,

Scroll to the top right to continue with picture 10.

 


About my work...
some of my thoughts

My works are oil paintings on wood.

I prefer wood to canvas, as sometimesI shallowly carve, or engrave the surface of the wood to achieve a two dimensional, graphic rendering of the content.  Oxides and pigments are rubbed into the carved background, and the surface is rolled and painted with artist's oil and alkyd paints and sometimes also gilded in parts.  In essence the panel is developed as an incised oil painting. 

Carved or incised wood embellished with raw oxide pigments and sometimes gold and other metal foils is an old art form found in African, equatorial and many oceanic cultures.

My approach is often technically sophisticated as my roots lie in the curious, resourceful and complex culture of Europe. As a result, my works sometimes display a multitude of overlaid processes which can make them intriguing. However, since I have always been immersed in the richness, the heat, colour and diversity of Africa and have been much affected by its spontaneity and innocence, my approach is often direct and fundamental. My exposure to the East has also left its mark. My subject matter is almost always natural rather than man-made and often involves human enquiry of a spiritual kind. I explore history, mythology and fantasy not formally, but light-heartedly.

My work is not intellectual nor social political and is never pessimistic. There is a diversity evident on my work, but underlying this is the connecting thread of a personal repertoire of graphic shapes and forms which I use to make a visual statement. I sometimes incorporate symbols and glyphs which have always been used by man in an effort to bridge the gap between the known and the unknown. By their very nature they cannot be explained in words. The viewer's interpretation is paramount though my titles sometimes point the way.

The visual statement replaces the need for words; explanations often hide the magic of personal discovery.

If at all I attempt to convey a message, it is simply to remind one of forgotten dreams, hopes and aspirations and of the potential we all have to live in a state of gratitude, celebration and grace.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10.
After the masking tape is removed, this what the panel looks like. The profiles at this stage gain prominence.

11.
At this stage I am ready to start developing the uncarved surface of the wood into an engraved or incised painting using a variety of different techniques. Here I am using a combination of masking and rolling to make the bird a dark blue.

12.
Continuiing with the rolling of colour, I am now creating a stone-like feel on the faces by applying many consecutive layers of colours, one on top of the other, The paint is made of raw oxide powders mixed with alkyd resin. ( a WINGEL product) It is quite thick and pasty which means that each successive layer becomes increasingly lumpy and the surface acquires a texrture.

It is quite thick and

13.
This 'wingel' coating remains tacky for some hours and I can now mask directly over it and apply some gold leaf to chosen areas. Because the rolled surface is rough this gives a broken feel to the gold.

14.
The printers ink with which I rolled the bird is now dry and quite shiny, so I am here brushing some red paint (oil) into the carved lines, after which the surface is wiped clean.

15.
Finally the whole sirface can be worked on and developed like any other painting. here I am shading the atreas of stone to bring out the relief and give depth to the painting.

16.
The finished carved and painted wood panel. The final work is varnished to protect it from dust and atmosphere.

 

16.
There are of course many different techniques that I use and which I have developed over the years, so each wood panel will have a slightly diferent history, but this one is rather typical and most follow the same basic format.ny different techniques that I have used

The dry stuff.......

One man Exhibitions in South Africa

1967 First one man exhibition, S.A.Association of Arts Gallery, Pretoria.
1969 One man show, S.A.Association of Arts, Pretoria.
1971 One man show, S.A.Association of Arts Pretoria.
1972 One man show, Natal Society of Arts, Durban.
1973 One man show, S.A.Association of Arts, Pretoria.
1974 One man show at the Collector's Gallery, Johannesburg.
1975 One man show, National Art Society, Johannesburg.
1975 One man Show, Natal Society of Arts, Durban.
1979 One man show, Hoffer Gallery, Pretoria.
1985 One man show, Everard Read Gallery, Johannesburg.
1988 One man show, Everard Read Gallery, Johannesburg.
1990 One man show, Everard Read Gallery, Johannesburg.
1998 One man show, Chelsea Gallery, Wynberg, Cape Town.
2004 One man show, Thesen's Island, Knysna.

One man Exhibitions Abroad

1970 One man show, National Museum, Gaberones, Botswana.
1972 One man show, National Museum, Gaberones, Botswana.
1977 Le Bois et L'Homme, Orly West Airport, Paris.

Commissions and Collections which feature my work

President Hotel, Johannesburg. Wildlife woodcuts for all rooms. Landrost Hotel, Johannesburg.
San Antonio Zoological Gardens, U.S.A.
Kimberly Art Museum.
Pretoria Art Museum
Durban Art Museum.
National Art Gallery, Cape Town.
Pietersburg Art Museum.
University Art College, Durban.
National Museum and Art Gallery, Gaberones, Botswana.
University of South Africa Collection, Pretoria.
Rand Afrikaans University Collection, Johannesburg.
Jan Smuts Airport V.I.P. Lounge, Johannesburg.
Dr Anton Rupert Collection.
Harry Openheimer Collection.
Suid Afrikaanse Akademie vir Wetenskap en Kuns.
Pretoria Hospital.
Holiday Inns and Casinos - Gaberones, Botswana,Newcastle, Natal,Maseru, Lesotho.Hluhluwe, Natal Maharani Hotel, Durban.
Palm Springs Hotel, Pretoria.
Department of Information, Pretoria.
Department of Information, Cape Town.
Satours, Pretoria.
South African Embassies in Geneva, Rome, Frankfurt, Brussels, Paris, Sydney, The Hague, Washington, Tel Aviv, Moscow.
Botswana Radio.
Dubarry Diamond Company Murals.
Transkei Government Murals for Rand Show Pavilion:l977, 1978, 1979, 1980,1982.
Venda Government Murals for Rand Show pavilion, 1979, 1980.
South African Embassy collection, Bonn, West Germany.
South African Embassy permanent collection, Washington, U.S.A.
Adv. Scharbort collection, Pretoria.
Walter Battiss Art Gallery, Somerset East.
Potchefstroom Art Gallery/Museum.
Potchefstroom University collection.
Rand Afrikaans University collection.
Durban Westville University collection.
Natal University collection, Pietermarizburg.
Technikon collection, Pretoria.
Ann Bryant Art Gallery, East London.
Witwatersrand University collection, Johannesburg.
Mural for Finansbank collection, Johannesburg.
Japanese Embassy collection in Shangai, Peoples Republic of China.
Pretoria Art Museum acquires complete collection of woodcut prints, 1978.
State Theatre Mural "Inspiration", Pretoria, 1981.
"Inner Circle Mural- Face of Africa", Pretoria.
Oil seeds Control Board Mural, Pretoria.
Perm Park Mural - "Joy of Living", The Perm Headquarters, Johannesburg.
William Humplireys Art Museum, Kimberly.
South African Embassy, Moscow.
SASOL Collection. SAILIS Libraries Floating Trophy.
Human Sciences Research Council.Pretoria.
Council for Scientific and Industrial Research.
Syfrets, Cape Town.
Saldhana Steel, Saldhana.
Telkom Collection.
Alexander Forbes Collection, Johannesburg.
Daimler Chrysler Collection, Pretoria.
"Savannah Sunrise" acquired for collection of Parliament - Cape Town
Mural commission for Anthony Goldstein, Cape Town - “Day One – The Pillars of the Temple” Mural commission for Dr Cyril Waynik – USA - “Genesis – The Five Patriarchs”
Mural commission for Dr Bruce Hoffman – Calgary, Canada - “Of gods and men – the making of man”
Group Exhibitions in South Africa

1948 Born in East London.
1964/5 Attended the East London and Johannesburg Art Schools.
1966 Studied part time with Cecil Skotnes
1966/7 Worked as assistant to sculptor/designer, Ernest Ullman.
1967 First one man exhibition, S.A.Association of Arts Gallery, Pretoria.
1968 Walsh?Marais Gallery, Durban.
1968 East London Society of Fine Arts.
1968 Opening exhibition of the Leader Gallery, Grahamstown.
1968 External tutor in Graphics, UNISA Art Dept., under Prof. Walter Battiss.
1969 Transvaal Academy, Johannesburg.
1969 One man show, S.A.Association of Arts, Pretoria.
1969 Maria van Riebeeck Exhibition, Johannesburg.
1969 South African Association of Arts, Cape Town.
1969 Lidchi Gallery, Johannesburg.
1969 Waish?Marais Gallery, Durban.
1970 Lidchi Gallery, Johannesburg.
1970 Mafeking group show.
1970 Gallerie D'Art, Pretoria.
1970 Pietersburg group show.
1971 One man show, S.A.Association of Arts Pretoria.
1971 Lidchi Gallery, Johannesburg.
1971 Living Arts Exhibition, Johannesburg.
1971 History of Art Dept. Exhibition, University of Pretoria.
1972 Art Pretoria '72, Gallery 101, Johannesburg.
1972 Pretoria '72, S.A.Association of Arts, Pretoria.
1972 Wildlife show, Sandton, Johannesburg.
1972 One man show, Natal Society of Arts, Durban.
1973 Illustrations for 'Xironga Folktales', published by UNISA.
1973 Creative Arts Festival, Pretoria.
1973 Dept., of Cultural Affairs, Rustenburg.
1973 Marriage Guidance Council Exhibition, UNISA, Pretoria.
1973 East London Technical College Commemorative Exhibition.
1973 First travelled to the Indian Ocean islands.
1973 Dept., of Cultural Affairs, Lichtenburg.
1973 Lectureship in Graphic Arts at Pretoria University.
1973 5 .A.Association of Arts Auction, Pretoria.
1973 Herbert Evans Wildlife Exhibition, Johannesburg.
1973 Group 51 Exhibition, Herbert Evans Gallery, Johannesburg.
1973 Wildlife Congress, University of South Africa, Pretoria.
1973 Rock Art Exhibition, Pretoria Art Museum.
1973 One man show, S.A.Association of Arts, Pretoria.
1973 International Iron & Steel Congress, Carlton Centre, Johannesburg.
1973 Christmas Exhibition, Strydom Gallery, George, Cape.
1973 Bultfontein Trust Exhibition, Johannesburg.
1973 Wildlife Exhibition, Carlton Centre, Johannesburg.
1974 First travelled to India.
1974 First travelled to Europe, Soviet Union, Far and Middle East.
1974 Herbert Evans Gallery, Johannesburg.
1974 Wildlife Exhibition, Gallery van Rijn, Pretoria.
1974 Southern Cross Exhibition, Johannesburg.
1974 Pretoria Club Exhibition.
1974 One man show at the Collector's Gallery, Johannesburg.
1974 Christmas Exhibition, Strydom Gallery, George, Cape.
1975 Christmas Exhibition, Strydom Gallery, George, Cape.
1975 The Animal in Art Exhibition, S.A.Association of Arts, Pretoria.
1975 Dept. of Cultural Affairs Exhibition, Rustenburg.
1975 Dept. of Cultural Affairs Exhibition, Lichtenburg.
1975 Pretoria Art Museum Auction.
1975 One man show, National Art Society, Johannesburg.
1975 Village Gallery, Johannesburg.
1975 Ateljier Exhibition, Pretoria.
1975 Hoffer Gallery, Pretoria.
1975 Collector's Gallery Nude Show, Johannesburg.
1975 Woodcutter's Exhibition, Lidchi Gallery, Johannesburg.
1975 Gallery S, Nelspruit.
1975 National Art Society, Johannesburg.
1975 S.A. Graphics, 2nd Exhibition, Pretoria.
1975 One man Show, Natal Society of Arts, Durban.
1975 Graphics Show, S.A.Association of Arts Pretoria.
1975 Pretoria Art, S.A.Association of Arts, Pretoria.
1975 Volk's Autioneers Art Auction, Pretoria.
1975 Group 51, Johannesburg.
1976 Lidchi Gallery, Johannesburg.
1976 Christmas Exhibition, Strydom Gallery, George, Cape.
1976 Lichtenburg Group Show.
1976 Rustenburg Group Show.
1976 Arniston Exhibition, Pretoria.
1976 Potter's Shoe Exhibition, Nelspruit.
1977 University of Pretoria Exhibition.
1977 Christmas Exhibition, Strydom Gallery,G eorge, Cape.
1977 Sandton Art Gallery, Johannesburg.
1977 Arcadia 2000, Pretoria.
1977 Travelled to U.S.A., Australia and Brazil.
1977 Transkei Government Pavillion, Rand Show, Johannesburg.
1978 Christmas Exhibition, Strydom Gallery, George, Cape.
1978 Transkei Government Pavilion, Rand Show, Johannesburg.
1978 World in Conflict Exhibition, S.A.Association of Arts, Pretoria.
1979 American Ladies Association Lecture & Exhibition, Johannesburg.
1979 Arcadia 2000, Pretoria.
1979 One man show, Hoffer Gallery, Pretoria.
1979 Christmas Exhibition, Strydom Gallery, George, Cape.
1979 Transkei Government Pavilion, Rand Show, Johannesburg.
1979 Potchefstroom University.
1980 Christmas Exhibition, Strydom Gallery, George, Cape.
1980 Ditto, University of Potchefstroom.
1980 Ditto, King George VI Art Museum, Port Elizabeth.
1980 American Touring Exhibition, Total Gallery, Johannesburg.
1980 S.A. Graphics, S.A.Association of Arts, Pretoria.
1980 Welkom Group Show, Welkom.
1980 Ditto, President C.R. Swart Auditorium, Univ. of O.F.S.,
1980 American Touring Exhibition, Pretoria Art Museum.
1980 Australian Touring Exhibition, Pretoria.
1980 Collectors Exhibition, S.A.Association of Arts, Pretoria.
1981 Christmas Exhibition, Strydom Gallery, George, Cape.
1982 Christmas Exhibition, Strydom Gallery, George, Cape.
1982 Lidchi Art Gallery, Johannesburg.
1982 Sebokeng Exhibition, Sebokeng.
1982 Multi?racialexhibition in aid of the aged, Johannesburg.
1982 University of Pretoria ? 50th Anniverary.
1982 University of Pretoria, Festival exhibition.
1982 University of Pretoria group show.
1983 Pretoria Artists, Pretoria Art Museum.
1983 Pretoria Art Museum.
1983 Beuster?Skolimovski Gallery, Pretoria.
1983 Group show, Everard Read Gallery, Johannesburg.
1983 Christmas Exhibition, Strydom Gallery,George, Cape.
1984 3rd visit to India; and Sri Lanka.
1984 Portfolio exhibition, Ivan Solomon Gallery, Pretoria.
1984 Christmas Exhibition, Strydom Gallery,George, Cape.
1984 Rand Afrikaans University, Johannesburg.
1984 Private expedition across the Himalayas.
1984 Christmas Exhibition,Atelje Cabo, Gordon's Bay, Cape.
1985 Summer Exhibition, Everard Read Gallery, Johannesburg.
1985 Everard Read Gallery, Wildlife Exhibition, Johannesburg.
1985 Christmas Exhibition, Strydom Gallery, George, Cape.
1985 One man show, Everard Read Gallery, Johannesburg.
1985 Trans Oranje Institute for Special Education, Pretoria.
1985 Everard Read Gallery, year opening exhibition, Johannesburg.
1985 UNISA Art Gallery opening, Pretoria.
1985 Important Paintings & Sculptures, Everard Read Gallery, Johannesburg.
1985 Waterkloof Garden Centre opening, Pretoria.
1985 Waterkloof Flowers, opening exhibition, Pretoria.
1985 Group show, van der BijI Park Art Gallery.
1985 Wildlife Artists of the World, Everard Read Gallery, Johannesburg.
1986 Christmas Exhibition, Strydom Gallery, George, Cape.
1986 Louis Botha Home exhibition. Pretoria.
1986 'Omdat die Jakarandas blom', Pretoria.
1986 Summer Exhibition, Everard Read Gallery, Johannesburg.
1987 Christmas Exhibition, Strydom Gallery, George, Cape.
1987 Opening of the Guild Gallery, Pretoria.
1988 Contemporary South African Artists, Guild Gallery, Pretoria.
1988 Christmas Exhibition, Strydom Gallery, George, Cape.
1988 1st PATAG exhibition, Pretoria.
1988 Summer Exhibition, Everard Read Gallery, Johannesburg.
1988 'A World Beyond Our Vision' Aleta Michaletos Gallery, Pretoria.
1988 'Precious Gems', Aleta Michaletos Gallery, Pretoria.
1988 One man show, Everard Read Gallery, Johannesburg.
1989 Conservation Day, National Zoological Gardens, Pretoria.
1989 Christmas Exhibition, Strydom Gallery, George, Cape.
1989 South African Landscape exhibition, Everard Read Gallery.
1989 'Wild, Weird and Wonderful', Aleta Michaletos Gallery, Pretoria.
1989 'The Kill', The Director's Collection, Everard Read Gallery, J'burg.
1989 Aleta Michaletos Gallery, Pretoria.
1989 'Women', Everard Read Gallery, Johannesburg.
1990 One man show, Everard Read Gallery, Johannesburg.
1990 New Acquisitions, Everard Read Gallery, Johannesburg.
1990 Christmas Exhibition, Strydom Gallery, George, Cape.
1990 Summer Exhibition, Gallery Plett, Plettenberg Bay.
1991 Opening of the SASOL Museum Collection, Stellenbosch University.
1991 'If Music be the Food of Love,Play On',Aleta Michaletos Gallery.
1991 International Wildlife, Everard Read Gallery, Johannesburg.
1991 Christmas Exhibition, George, Cape.
1992 International Wildlife, Everard Read Gallery, Johannesburg.
1992 Christmas Exhibition, Strydom Gallery, George, Cape.
1992 Pretoria Painters and Sculptors, Pretoria Art Museum.
1992, 'Passion for Exellence', Aleta Michaletos Gallery, Pretoria.
1992 International Wildlife Exhibition, Everard Read Gallery.
1993 Pretoria Painters and Sculptors, Pretoria Art Museum.
1993 Human Sciences Research Council exhibition, Pretoria.
1993 Studio 161, Pretoria.
1993 Christmas Exhibition, Strydom Gallery, George, Cape.
1994 South African Artists, S.A.Association of Arts, Pretoria.
1994 Christmas Exhibition, Strydom Gallery,George, Cape.
1994 'Trees and Angels', S.A.Association of Arts Gallery, Pretroria.
1994 Bonne Ann&e, Pretoria.
1994 Group Show, Everard Read Gallery, Johannesburg.
1994 New Acquisitions, Everard Read Gallery, Johannesburg.
1995 Wood panels by Pretoria Artists, UNISA Art Gallery, Pretoria.
1995 Christmas Exhibition, Strydom Gallery, George, Cape.
1995' Frieda 60', Guild Gallery, Pretoria.
1996 Everard Read Gallery opening, Waterfront, Cape Town.
1996 Franz Huppertz Gallery, Cape Town, joint exhibition.
1996 Christmas Exhibition, George, Cape.
1997 Standing exhibit, Momosa Lodge den, Montagu.
1997 Brandwacht Exhibition, Stellenbosch, Cape.
1997 Christmas Exhibition, Strydom Gallery, George, Cape.
1998 Brandwacht Exhibition, Stellenbosch, Cape.
1998 Montagu Artists, Montagu.
1998 Chelsea Gallery, Wynberg, Cape Town.
1998 30th Christmas Exhibition, Strydom Gallery, George, Cape.
1998 Group show, Chelsea Gallery, Wynberg, Cape Town.
1998 Christmas Exhibition, George, Cape.
1999 Group show, Kimberley.
1999 Group show, University of Pretoria
1999 Christmas Exhibition, Strydom Gallery,George, Cape.
2000 Christmas Exhibition, Strydom Gallery, George, Cape.
2001 Christmas Exhibition, Strydom Gallery, George, Cape.
2002 Christmas Exhibition, Strydom Gallery, George, Cape.
2003 Christmas Exhibition, Strydom Gallery, George, Cape.
2004 Christmas Exhibition, Strydom Gallery,George, Cape.
2005 Christmas Exhibition, Strydom Gallery, George, Cape.
2006 Christmas Exhibition, Strydom Gallery, George, Cape.
 2006 Opening Exhibition, Upper Deck Gallery, Plettenberg Bay.
2006 Summer Exhibition, Upper Deck Gallery, Plettenberg Bay.
2007 Christmas Exhibition, Strydom Gallery, George, Cape.
2007 Summer Exhibition, Upper Deck Gallery, Plettenberg Bay.
2008 Christmas Exhibition, Strydom Gallery,George, Cape.
2008 Summer Exhibition, Upper Deck Gallery, Plettenberg Bay.
2009 Easter Exhibition, Upper Deck Gallery, Plettenberg Bay.
2009 Christmas Exhibition, Strydom Gallery, George, Cape.
2009 ART WOW National Cultural History Museum, Pretoria
2009 Summer Exhibition, Upper Deck Gallery, Plettenberg Bay.
2010 Christmas Exhibition, Strydom Gallery, George, Cape.

Publications which feature my work

East London Technical College Yearbook ? woodcut illustration, 1965.
De Arte 5, 1968, UNISA Publication.
UNISA Yearbook. 1968.
South African Panorama, July, 1969
S.A.Digest, December, 1969
S.A.Digest, September 1971.
.S.A.Digest, April, 1973.
S.A.Digest, September, 1973.
S.A.Digest, March, 1974.
S.A.Digest, March, 1977.
Artlook, August, 1969.
Bantu, May, 1979.
Kutiwano, Botswana Government Digest cover, January, 1971.
Kutiwano, Botswana Government Digest cover, Febrary, 1971.
Kutlwano, Botswana Government Digest cover, March, 1971.
Art in South Africa, 1973.
S.A. Arts Calender, August, 1973.
UNISA Bulletin, December, 1973.
Illustrations for "Xironga Folktales", UNISA Publication, 1973.
Tempo, Mozambique.
IZWI, cover, 1974.
S.A. Art Market, Esme Berman, 1974.
S.A. Artists, Esme Berman,1974.
SAA News, 1976.
Zuid?Afrikaanse Koerier, Holland, April, 1974.
Pretoria Scene, 1974.
The Times, article, Port Louis, Mauritius.
L'Afrique du Sud D'Aujourd D'Hui, Paris, 1974.
South African Panorama, France?1 975, Belgium? 1975, Canada ?1975,
Switzerland? 1975.
South African Scope, New York, 1975.
S.A. Arts Calender, 1976.
AD (Art Director) Debut issue.
Flying Springbok. 1983.
Be my guest ? September, 1989, Pretoria.
The Director's Collection, 1989.
S.A. Arts Calender, 1981.
ABC Shoes Financial Report cover.
S.A.Digest, 1985.
S.A.Panorama, 1983.
S.A.Panorama, cover and article, December, 1985.
BulaDitaba, 1982.
Style Magazine, May, 1985.
Fair Lady magazine, January 1986.
Finance Week, Ugust 22 ? 28, 1985
The Sasol Collection, (books).
Be My Guest, February, 1991.
Flying Springbok, December, 1991.
S.A.Garden and Home, September, 1990.
S.A.Garden and Home, August, 1985.
Montagu Mail, 1999.
Montagu Mail, 2004.

e-mail :
utreya@webafrica.org.za

 

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